Joe Sikoryak has a filmography section on his site listing a number of short films and feature projects. Here are some of them, along with roles he’s had:
| Film Title | Year / Length | Joe Sikoryak’s Role(s) |
|---|---|---|
| Roommate Wanted (2020, 88 min) | 2020 | Associate Producer |
| It’s Always Something (2021, 11 min) | 2021 | Producer |
| Priced Out (2019, 17 min) | 2019 | co-Producer |
| The Interview (2019, 15 min) | 2019 | Executive Producer |
| Snaggletooth (2018, 9 min) | 2018 | Producer |
| Jacob+Malika (2017, 12 min) | 2017 | Producer |
| D for DOCs (2017, 15 min) | 2017 | (writer-director?) — listed as “Writer-Director” but might mean other roles, needs verification |
| Goodbye, NOLA (2017, 19 min) | 2017 | Assistant Director, Production Designer |
| As Seen on TV! (2015, 10 min) | 2015 | Writer-Director |
| One Small Step (2010, 3 min) | 2010 | Director, Co-writer |
| Major Mars (2009, 9 min) | 2009 | Co-Writer-Director |
| Blast Off From Burbank (2009, 5 min) | 2009 | Writer-Narrator, Producer-Director |
| Indulgence (2002, 18 min) | 2002 | Director, Production Designer |
| My Oscar© Experience: How I Stopped Worrying and Learned to Love the Oscar | — | (role not clearly listed on “Films” section; seems like a personal short or commentary) |
Also listed are “extras” / supplemental works:
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A “Production Design Reel” (2014-18)
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“Reel Talk” presentation (with Charles Anderson of Bay Area Indies)
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A “Self Interview” (2019)
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And other supplemental or behind-the-scenes style pieces
What This Tells Us About Joe Sikoryak’s Work & Style
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Versatility in Roles: Joe works in many capacities: producing, writing, directing, co-writing, assistant directing, production design. That suggests he has both creative and technical skill sets, plus experience in multiple stages of film production.
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Focus on Short / Mid-Length Films: A lot of the listed work is in the short film realm (5-20 min) with one longer feature (Roommate Wanted). This is common for someone building a diverse portfolio and experimenting with different styles, genres, and collaborative roles.
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Collaborative Projects: Many of the films list multiple collaborators (writers, directors, etc.), which points to Joe being deeply embedded in collaborative filmmaking as opposed to solo auteur work.
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Interest in Design & Visual Storytelling: His involvement in production design, design reels, etc., shows he values visual aesthetic and perhaps places emphasis on strong visuals, set/scene design, and how production design contributes to storytelling.
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Continuous Activity Over Time: The filmography covers works from early 2000s to as recent as 2020/2021. So Joe has sustained activity over decades, indicating both experience and ongoing engagement with filmmaking.
What’s Not Clear / What We Might Wish to Know
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Themes & Genres: While we have titles and lengths, the genres or thematic focuses are not always obvious. Are these dramas? Comedy? Experimental? Documentary? Knowing this would help contextualize his style.
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Availability & Distribution: It’s not clear which of these films are publicly available to view, which have been in festivals, or where one might watch them.
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Impact / Recognition: Any critical reviews, awards, or festival acceptances are not listed here. That info would help gauge which works have had more visibility or success.
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Collaborators & Production Scale: Some films list actors and directors, but details like budget, crew size, and production values are missing, which would help understand the scale of each project.
Opinion and Insights / Potential Use
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Joe Sikoryak’s filmography suggests he is someone building deep, wide sharpening of skills rather than focusing on just one role. For new or aspiring filmmakers, that’s a valuable model: don’t pigeonhole yourself—learn directing, writing, producing, design if possible.
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His design-oriented roles hint that in many of his works, the visual environment is likely an important part of how the story is told. If one is watching or studying his films, observing set design, color, framing, and how the world of the film supports the emotional tone would be fruitful.
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Also, the range of project lengths means he likely adapts well to different storytelling constraints (short time, limited resources, etc.). That adaptability is useful in indie circles.





